IMDB
This is the documentary to watch if you are living in this modern world, understand your place and relations to the world since capitalism rules the earth. The corporation is the high priests of this ear, upholding the laws of capitalism, disregarding humane, social and environmental concerns, in the pursuit of profits. It's almost chilling when you consider that these corporation/psychopathic are deeply intergrated in our lives despite their PR/lip-services.
For more than 2 hours, it's an exhaustive look at how the corporations shape our world and our view, and most importantly, our future, without our democratic consent. The evidences are overwhelming outside the documentary, in the news, and around my home. Watching this documentary will make you aware of this grave problem, and it's the first step toward the collective dialogue to find a solution that ensure better future, without corporate interests/interferences.
Addum: I'm watching the 2nd disc where the deleted interviews are included, and I'm enraged and ashamed that World Trade Organization, the governing organinzation that represents corporate interests, will enforce copyrights with all its might, but will do nothing for child labor or sweat shops. You can visit the site and do simple search and see the difference. Capitalism may have won the war, but it's losing the mind and the share of the people which needs/feeds to support itself.
Addum: What's good for GM is good for America. Bullsh*t!
My last gig wrapped up last week, and I've been following up some leads that led to nowhere. Least to say, it's frustrating to sit around and waiting for next gig to pop up, while I'm constantly dipping into my dwindling saving. On top of it, I've made a big financial/time commitment to travel Europe together with my friend end of June. So it becomes more imperative to score a gig before the trip and after I come back.
How do I deal with the stress of scoring another job so I can pay my rent on time? Do my stuff. Dabble in my screenplays. Surf the net. Write blogs. Catch up on movies. Etc.
Some say what you do on your own time will make or break you. I'd better work extra hard on my skills and scripts to work off my frustrations. Thanks for reading my vent, and keep on trucking.
"Early on in the entertainment industry, it's in the interest of the business to think of themselves as throwing a party, not selling a product. I think they attract more of a following that way... But over time, the industry takes more the form of a market and is driven by market forces. The Superbowl initially felt like it was rewarding its fans. But then it becomes established and the League finds it in its interest to push up prices."
You can read more detailed accounts of the opening, but suffice to say, I wasn't prepared.
So I came back on Saturday morning, 9am sharp, with a glimmer of hope of winning new MacBook they gave out every hour for first 24 hours of the shop opening. I entered thrice, but came up empty. Sigh.
How about that new MacBook? Apparently black is in, and $200 difference seems minor after I laid my eyes and hands on that beauty. I'm seriously considering getting an Intel model as soon as Apple a) release Desktop models & b) release Leopard. Regardless of what some may say, it's good to be Apple's biatch.
I uploaded all the pictures of the shop I took for last two days. Enjoy the rest of your weekend (at new Apple Shop).
Say what you will of Luc Besson, but you can't deny that the man brough great action flicks out of France, and this is one of them. Cartoony, Hong Kong with a bit of French charm is his forte and selling point. He builds from Yamakazi, add a bit of Jackie Chan/Hong Kong actions, with a bit of Tony Jaa's Ong Bak - Thai Warrior moves, with a cute French damsel in distress, and tie them up with the grand theme of Equality, you have a nice package that satisfies your thirst for high-flying action for 90 minutes.
The direction is superb, although the beginning part was a bit of bumpy but once you get on the ride, there's no punch pulled. Sure Tom did some dangerous stunts in MI3, but we all know that it's CGI/stunt double/whatever. It's nice to see actors moving swiftly, interacting physically with real world objects, and not afraid to get get down and dirty, for a good cause. (So tell me again, what exactly Tom accomplished in MI3 except stopping bad guys from grabbing rabbit's foot?) Although the film was released in France two years ago, and I watched a DVD version, it's finally getting into the US. Check out the trailer and tell me if it isn't money.
A cameraman with Sony HDCAM camera recorded us entering the store and the whole presentation. Unfortunately, I didn't come early enough to secure a seat for the presentation. I was short 5, 6 people before getting a seat. His 15" monitor took a seat by itself. There were about 50 more people behind me and formed lines around the area.
The light went dark and this lady (I forgot who she was) welcomed us and introduced J.J. He came out from the backdoor but he was promptly held off to run MI3 trailer. Bad move as he was forced to watch MI3 trailer--I'm sure he has seen in millions times, with us. Finally, the trailer ended, and he took the stage with numerous flashes around the audience, including yours truly, and claps. He had a little problem with mic initially and quickly quipped, "It's not a Mac mic." He had us from there.
Finally, there was a QA session, but none of them were note worthy. He had no preference if a movie is made in film or HD as long as it tells great story about great characters. For the final question, a young Indian girl asked about becoming a director, and he apologized that he really have no clear answer as you can only keep practice directing, making movies, in the same vein that a writer to keep writing. That concluded his presentation and he promptly left with his entourage. It was refreshing to meet a young, hot, Hollywood director whose candor and enthusiasm met with great success. I wished the best of him and his future endeavor and headed home, invigorated to work on my own projects.
p.s. Since this entry has been more than a week late, there are many things that are lost in my short-term memory. Some of the leftovers from my notes read:
And I heard of this writer who regularly sell screenplays to production companies but never had one produced. I was told that this guy makes good money, but I can't help but wonder what's the fuss if your work is purchased by a studio to be locked away? How come he doesn't put his money (if not his passion) into producing one of his screenplay into a film for all audience? Maybe I'm preaching to wrong crowd, but as a writer, I would like my work to be widely distributed as possible, spark ideas and passion, and make living out of it.
Anyhow, screenplay writer Blake Snyder reminded me of above issues as I read his bold statement: The Last Book on Screenwriting You'll Ever Need. Although I haven't seen one of his produced films, but he accounts many Hollywood names as his clients/pals in his book to prop up his book and buttress his approach to screenwriting. The book reads like his title: bold, straight-to-the-point, no bullshit, etc. If you hate so-called Hollywood formulaic screenplays, you won't like this book either. But if you are interested in pursuing a career within Hollywood system, this book will provide some good, if not definitive, answers to your screenplay needs. But I doubt this book will help your screenplays get produced, as even Mr. Blake Snyder can't seem to shake it fully despite his talent and connections. Indeed, you will need talent, network, and some luck to get your screenplays made into Hollywood, even if you managed to save the cat, which belongs to certain individual named Spielberg.
My top ten pick of this year's summer blockbuster expectations:
I wonder that black guy jumping between buildings are the guy from Yamakazi? (Quick check says no, but the move is very familiar.
Who am I kidding. I'm going where Eva Green goes.
And then there’s the need to wean ourselves from other old habits and scapegoats. It’s the movie, stupid. Not the marketing. (Though marketers shouldn’t gloat yet, ’cause they can still kill a good picture.) We all have to go with our gut instincts, give up the fantasy of a formula. It’s harder, but not impossible. Impossible means we have to sell the farm. Hard means we have to work harder. And that’s not a bad thing. I never went to Comic-Con anyway."
I already blogged about this issue. Chalk Alien vs. Predator on that list as well. Damn that movie sucked.
I heartily recommended this book to any novice FCP editor and previous FCP version editors trying to grasp host of new functions in FCP 5.
It's an interesting site that could be also be a promotional website for the movie, asking audience's participations, before and after watching the movie, living and reliving the moments.
On the other note, X-Men 3 Clip (Wolverine vs. Sentinel) completes my fear of Brett Ratner helming this venerable franchise. He has some comedy chops, but his action setups still need a lot of work. What of Rush Hour series? Jackie Chan of course. (But compare this series to Shanghai Noon/Knights and you'll see huge difference in terms of action.)