I read over twenty scripts last month. Indie production houses pay nothing and hand solicited scripts out to interns and script readers to do the coverages. I guess doing professional script coverage is not just viable option in this town.

I firmly believe that every aspiring script writer should read at least dozens of scripts before writing their own. It doesn't matter if it's the Hollywood calibre, or local writer's. I use to believe you can't judge a script by first 5 pages, but now I am a believer.

I am surprised how many of these scripts have typos, grammatical errors-even though I do not possess necessary grammatical skills, lack of screenwriting conventions, etc. Unless your story is really, really good, these small things jump out, screaming this script is not worth my time and attention. I read only THREE scripts that are quite good, one begins production this summer, one is sold, and one is a spec I read today. There are some scripts that have exceptional writings, but they don't necessary translate to better scripts. Good script is readable, understandable, and most importantly, visual. It's NOT a novel, even if you are writing a spec. Don't tell me, show me! If you want to write great speeches, you should try plays instead of screenplays. Even though actors LOVE giving speeches, you might get your movie made because of stars who fell in love with your great dialogues, it doesn't necessary make good movies. 2 hours is quite short for 5 minute monologue.

Only problem with constant script reading is that I keep setting my bar higher and higher to rise above the scripts I read. I'm honest to say I'm above 75% of scripts I've read so far, but 75% below scripts that are actually sold or made. I have only taken my second step toward long, perilous journey.